SixtyGloriousYearsisanexerciseinthecreationoficonography,bothforVictoriaanditsstar,AnnaNeagle(whosubsequentlybecameknownas'RegalNeagle').JustasElizabethIcommissionedartiststocreateflatteringiconicimagesforpublicconsumption,sothisfilmperformsasimilarfunction,forNeagleismorebeautifulthanthereallifeVictoria.Controversialevents(suchasthe'Irishproblem')areomittedandunpleasantaspectsofVictoria'scharacter(herpetulance,arrogance,favouritismand'righttoprivilege')areglossedoverasendearinglittle'whims'.Albertactsasamoderatinginfluencewhenshegoestoofar. ThefilmfollowedayearafterthehighlysuccessfulVictoriatheGreat(d.HerbertWilcox,1937).AgainthescreenplayisbyMilesMallesonandRobertVansittart,andmanyofthesupportingcast(thecreamofactingtalentofperiod)repeattheirroles,thistimeforthecolourcameras.ThiswasthefirstfulllengthTechnicolorfilmofcinematographerFreddieYoung,whocapturesthespectacleofroyalweddings,grandballsandopulentinteriors,withscenesactuallyfilmedatroyalpalaces.Vividbattlescenes,setinAlexanderKorda'sempireterritory(SevastopolandtheSudan),rivalthoseinTheFourFeathers(d.ZoltanKorda1939). Thetitlemusicsetsthetonearegalchoirsingsoverashotofthecrown.Elgar's1901'PompandCircumstance'marchisheardduringthediamondjubileecelebrationsand,asVictoria'scoffinliesinstate,thefilmconcludeswithAnthonyCollins'statelymusicaccompaniedbythetextofRudyardKipling's'Lestweforget'.CombinedwiththeemotionalappealofscenesofVictoriaconnectingwithher'ordinaryfolk',thisisstirringstuff. Thefilmconnectswithcontemporaryeventsof1938.ThereleaseoftwocelebratoryroyalfilmswasintendedtoboostpublicaffectionforthemonarchyinthewakeofEdwardVIII'sabdication.Anglo-Germanrelationswereanothertouchysubject.Withanotherwaronthehorizon,influentialvoiceswantedappeasement,andthefilmcouldbeseentofitthatagenda.VictoriaherselfwasofmainlyGermandescent,nicknamed'thegrandmotherofEurope',whileAlbertisa'goodGerman',charminglyplayedbyAntonWalbrookasacultured,decentman. SixtyGloriousYearsnowseemsundulyformalandreverential.HadmoviesexistedduringVictoria'sreign(theyonlyemergedattheend)thismighthavebeenthekindoffilmproduced.UnlikeMrsBrown(d.JohnMadden,1997),itisallsovery'Victorian'. RogerPhilipMellor
SixtyGloriousYearsisanexerciseinthecreationoficonography,bothforVictoriaanditsstar,AnnaNeagle(whosubsequentlybecameknownas'RegalNeagle').JustasElizabethIcommissionedartiststocreateflatteringiconicimagesforpublicconsumption,sothisfilmperformsasimilarfunction,forNeagleismorebeautifulthanthereallifeVictoria.Controversialevents(suchasthe'Irishproblem')areomittedandunpleasantaspectsofVictoria'scharacter(herpetulance,arrogance,favouritismand'righttoprivilege')areglossedoverasendearinglittle'whims'.Albertactsasamoderatinginfluencewhenshegoestoofar. ThefilmfollowedayearafterthehighlysuccessfulVictoriatheGreat(d.HerbertWilcox,1937).AgainthescreenplayisbyMilesMallesonandRobertVansittart,andmanyofthesupportingcast(thecreamofactingtalentofperiod)repeattheirroles,thistimeforthecolourcameras.ThiswasthefirstfulllengthTechnicolorfilmofcinematographerFreddieYoung,whocapturesthespectacleofroyalweddings,grandballsandopulentinteriors,withscenesactuallyfilmedatroyalpalaces.Vividbattlescenes,setinAlexanderKorda'sempireterritory(SevastopolandtheSudan),rivalthoseinTheFourFeathers(d.ZoltanKorda1939). Thetitlemusicsetsthetone:aregalchoirsingsoverashotofthecrown.Elgar's1901'PompandCircumstance'marchisheardduringthediamondjubileecelebrationsand,asVictoria'scoffinliesinstate,thefilmconcludeswithAnthonyCollins'statelymusicaccompaniedbythetextofRudyardKipling's'Lestweforget'.CombinedwiththeemotionalappealofscenesofVictoriaconnectingwithher'ordinaryfolk',thisisstirringstuff. Thefilmconnectswithcontemporaryeventsof1938.ThereleaseoftwocelebratoryroyalfilmswasintendedtoboostpublicaffectionforthemonarchyinthewakeofEdwardVIII'sabdication.Anglo-Germanrelationswereanothertouchysubject.Withanotherwaronthehorizon,influentialvoiceswantedappeasement,andthefilmcouldbeseentofitthatagenda.VictoriaherselfwasofmainlyGermandescent,nicknamed'thegrandmotherofEurope',whileAlbertisa'goodGerman',charminglyplayedbyAntonWalbrookasacultured,decentman. SixtyGloriousYearsnowseemsundulyformalandreverential.HadmoviesexistedduringVictoria'sreign(theyonlyemergedattheend)thismighthavebeenthekindoffilmproduced.UnlikeMrsBrown(d.JohnMadden,1997),itisallsovery'Victorian'. RogerPhilipMellor
割烹是一档烹饪竞赛节目,全部围绕着技巧、速度和机智。每周,四位厨师在专家评委面前竞争,将一篮子神秘食材变成一道非凡的三道菜。逐道菜,厨师们将被“割烹”出竞争,直到只剩一位赢家。挑战是什么?他们只有几秒钟的计划时间,然后在时钟开始滴答作响后的30分钟内,用他们刚得到的神秘食材篮子烹饪一道惊人的菜品!压力并没有停止。一旦他们完成了菜品,他们就必须在割烹台前生存下来,那里有三位评委等着被惊艳,而且不害羞于表达他们的烹饪批评!我们的主持人泰德·艾伦领导着这个高能量、高压力的节目,观众会为赢家加油,为输家欢呼。割烹是一场激情、专业和技巧的游戏——最终,只有一位厨师能生存下割烹台。谁能被选中?答案就在割烹!
一档爆笑连连、玩世不恭、近乎诽谤的政治智力竞赛节目,主要取材于过去一周左右的新闻报道,为了博人一笑,节目对任何政党、任何人物或任何行动都毫不留情。
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割烹是一档烹饪竞赛节目,全部围绕着技巧、速度和机智。每周,四位厨师在专家评委面前竞争,将一篮子神秘食材变成一道非凡的三道菜。逐道菜,厨师们将被“割烹”出竞争,直到只剩一位赢家。挑战是什么?他们只有几秒钟的计划时间,然后在时钟开始滴答作响后的30分钟内,用他们刚得到的神秘食材篮子烹饪一道惊人的菜品!压力并没有停止。一旦他们完成了菜品,他们就必须在割烹台前生存下来,那里有三位评委等着被惊艳,而且不害羞于表达他们的烹饪批评!我们的主持人泰德·艾伦领导着这个高能量、高压力的节目,观众会为赢家加油,为输家欢呼。割烹是一场激情、专业和技巧的游戏——最终,只有一位厨师能生存下割烹台。谁能被选中?答案就在割烹!
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明亡清兴的60年,是中国历史上天崩地解、山谷陵替、格局剧变、悲欢离合的时代。在明亡清兴的历史舞台上:格局,雄伟壮阔;人物,群星灿烂;事件,繁复跌宕;故事,生动有趣。人们都在表现,也都在表演:真与假、善与伪、美与丑,智与愚、勇与怯、廉与贪……
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