ThesubtitleofJean-MarieStraubandDanièleHuillet’sfirstfeature,from1965,“OnlyViolenceHelpsWhereViolenceReigns,”suggeststhefiercepoliticalprogramevokedbytheirrigorousaesthetic.Thepretextofthefilm,setinCologne,isHeinrichBöll’snovel“BilliardsatHalfPastNine,”whichtheystripdowntoahandfulofstarkeventsandfilmwithaconfrontationalangularityakintoBartók’smusicthatadornsthesoundtrack.Thesubtlestofcuesaccompanythestory’scomplexflashbacks.Themiddle-agedRobertFähmeltellsayounghotelbellhopofpersecutionsundertheThirdReich;hiselderlyfather,Heinrich,anarchitectfamedforalocalabbey,recallsthemilitarismoftheFirstWorldWar,whenhiswife,Johanna,incurredtroubleforinsultingtheKaiser.Athird-generationFähmelisconsideringarchitecture,justastheexiledbrotherofRobert’slatewife,returns,onlytobemetbytheirformertorturer,nowaWestGermanofficialtakingpartinacelebratoryparadeofwarveterans.StraubandHuilletmakethelayersofhistoryliveinthepresenttense,whichtheyjudgeseverely.Thetamped-downactingandthespare,tensevisualrhetoricsuggestastateofmoralcrisisaswellastheresponse—asmuchinstyleasinsubstance—thatitdemands.
故事圍繞一間提供專業調解服務的調和中?,要探尋衝突背後的因,?得化解?盾的果。兩種不?樣的觀點和立場,要怎樣才可找到共存的空間?劇中演員蘇雅琳、何洛瑤,聯同導演暨演員趙善恒及導演駱子康現身簡介劇集。
故事圍繞一間提供專業調解服務的調和中⼼,要探尋衝突背後的因,⽅得化解⽭盾的果。兩種不⼀樣的觀點和立場,要怎樣才可找到共存的空間?劇中演員蘇雅琳、何洛瑤,聯同導演暨演員趙善恒及導演駱子康現身簡介劇集。
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