OnthemorningofSeptember11,2001,PaulMcCartneywasinNewYorkCityonanairportrunwaywaitingtoflytoBritain.Asheabsorbedthenewsoftheunfoldingtragedy,hewondered,“WhatcanIdo?”Theanswer,ofcourse,layinmusic. McCartneyreachedouttomasterdocumentarianandlong-timefriendAlbertMaysles,invitingMayslestodocumenthispersonalexperienceson16mmblackandwhitefilm,aformatseldomusedinthedigitalagebutofprovenenduranceandartisticquality.OverseveralweeksinOctober2001,Maysles’camerafollowedMcCartneyashepreparedforTheConcertforNewYorkCity,abenefithehelpedorganizetoupliftNewYorkCityduringthisperiodofuncertaintyandvulnerability.Thefootagewentunseenforyears,requiringthepassageoftimetobeputinperspective.Now,tenyearslater,Maysles,hisdirectingpartnerBradleyKaplanandeditorIanMarkiewiczhaveemergedwithanintimateworkthatexplorestheroleofartandartistsinatimeofcrisis.
两家父母为女方家增加彩礼吵架,导致正在领结婚证的小两口没领成。经过两人努力劝说,父母终于同意先领证不办婚礼。婚后两人由靠父母生活逐渐转变为自食其力,并懂得了幸福要靠自己的努力去实现。
当22岁的Rae(大屠杀幸存者的后裔)在蒙大拿州比林斯成为新纳粹分子的攻击目标时,她祖先的创伤变成了现实。
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